In keeping with the requirements of this week's challenge, the background and flower layers are colored with Distress Stains: Carved Pumpkin, Mustard Seed, Picked Raspberry, Twisted Citroen, Broken China and Peacock Feathers. The stem and leaves are embossed: I used a Ranger Perfect Medium embossing pen to form the design of the stem and leaves, and used emerald green glitter embossing powder.
What can I say? I used every Ranger alcohol ink I possess and the blending solution to make this monoprint. It is very bright and colorful. I was able to see the vivid difference the blending solution makes.
This one project is my submission to the Week 6 Challenge: Use two or more layered stencil techniques on the same card, tag, project, etc.
I used the following techniques: Emboss With, Emboss Through, Layered Stencil Sketching, and Monoprinting. I hasten to say that I am not happy with the quality of my work; I would have done better if I had not consciously been trying to use so many techniques. However, here it is; I used four techniques in the same project.
I used the Rays layered stencil to emboss a tag. I then replaced the stencil, colored the rays with Mermaid Lagoon ink, and monoprinted another tag. I embossed with clear embossing powder and a heat gun. I then colored the tag (which was white) with Mustard Seed ink, after which I outlined the rays with a fine-point black Pitt pen and sketched bubbles with a Worn Lipstick Distress Marker between the rays. Finally, I used Mustard Seed ink with the Clockwork stencil on the monoprinted tag.
The little embellishment was die cut on a Big Shot embosser from a piece of grunge board covered with washi tape.
Wow, talk about elaborate! I began by using Tim Holtz Layering Stencils to create a paint resist. The Distress Paints I used were Carved Pumpkin, Mermaid Lagoon, and Antiqued Bronze. When the paints were dry, I covered the tag with layers of Distress Inks (Fossilized Amber, Evergreen Bough, and Picked Rasberry) and Stains (Twisted Citroen). I then spritzed the surface of the tag with water so that I could remove layers of ink at irregular intervals.
I used stencils to make the words. I colored "Create" with Black Soot ink and "Joy" with Candied Apple ink. I recolored the clock with Vintage Photo ink because I perceived it was not dark enough. I then proceeded to add a bubble stencil to the bee hive stencil, using Scattered Straw ink.
Distress Paints used: Mustard Seed, Mowed Lawn, Candied Apple, Broken China, and Antiqued Bronze. When I was finished with the paints, I used stickers from Crowded Attic Salvage Stickers by Tim Holtz Idea-ology. I applied Vintage Photo and Walnut Stain Distress Inks to the stickers. Then, I distressed the edges with the book cover with Black Soot Distress Ink.
When I discovered the 9/11 sticker in the book of Tim Holtz stickers, an idea began to develop that I would make this book cover look like it had been salvaged from the remains of the NYC World Trade Center.
I altered the bookcover of Unforgettable Musical Memories which is a book of music scores. I use the pages as backgrounds for my butterfly tissues when I am making cards.